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Zebith S. Thalden

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Insect Art by Zebith Thalden at Art on First Gallery in Ashland

Zebith S. Thalden

 Fine Art

BIO

 I am in awe of the numerous species on our planet: living, extinct, undiscovered, and those yet to evolve. The more I research and observe, the more I am astounded and inspired by the diversity, interconnectivity, and visual harmony of species. Combining art and ecology, I celebrate amphibians, botanicals, insects, crustaceans, fungi and other biological treasures. I use a variety of materials to create highly realistic and incredibly life-like works of art. As an instructor and speaker, I encourage direct engagement with the natural world, courageous creativity, ecological stewardship, and connection through shared wonderment. Through collaborative research, I offer visuals and artistic perspective for the advancement of science. Zebith S. Thalden 


Artist - Instructor - Author

The artwork of Zebith Thalden has been featured in both solo and group exhibitions in galleries, cultural centers, and art museums throughout the United States and abroad, including the CICA Museum in Gimpo-si, South Korea; the Academy of Science in Canberra, Australia; American Association for the Advancement of Science in Washington DC; North Carolina Museum of Natural Sciences in Raleigh; Oregon Center for Contemporary Art in Portland; the Arterie Fine Arts Gallery in Chicago; and the Annmarie Sculpture Garden in Dowell, Maryland. She was awarded artist residencies at Zion National Park and PLAYA: Center for the Intersection of Art and Science. Institutions of higher learning and nature-based organizations have hosted her public speaking events, including Red Butte Garden and Arboretum, Portland State College of the Arts: School of Art + Design, and Southern Utah University. 

Her book The Insect Artist: How to Observe, Draw, and Paint Butterflies, Bees, and More was released by Timber Press in 2024.  She holds an MFA from Goddard College and a BFA from the Rhode Island School of Design.


Available Artwork

 EMERGENCE SERIES I 


1.Not available


2.The Oak Jewel Beetle (Eurythyrea quercus)


3.The Jewel Beetle (Pachyscelus nicolayi)


Acrylic paint on canvas,

12x36, (13x27 in black wood floating frame)


Insect Art by Zebith Thalden at Art on First Gallery in Ashland

“Sonder” -Douglas Fir Cone & Conifer Cone Cap Fungi

 (Pseudotsuga menziesii) & (Baeospora myosura)

Reclaimed Earth oil paint, acrylic paint, and colored pencil on paper

10.75x19.5 or 16x25 framed 


While this piece represents an interspecies interconnection, it also symbolizes the relationship of industrial pollution to landscape, art to ecology, and individual to the natural world.


“Return” Western Maidenhair Fern

(Adiatum aletieum)

Acrylic, watercolor & colored pencil on paper     

8x18 or 12.5x21 framed


A study in time…

A visual exploration of a vascular plant (Maidenhair Fern (Adiatum aleuticum) through its life-stages, repetitive patterning, and physical transformation. Keenly focusing on the transition of visual tension held in the tight uncoiling fronds, the extension toward optimal photosynthesis during spore development, and finally in senescence. Each contributing to the health of the understory whil

Insect Art by Zebith Thalden at Art on First Gallery in Ashland

Print: “Sonder” Douglas Fir Cone & Conifer Cone Cap Fungi

(Pseudotsuga menziesii) & (Baeospora myosura)

8x14, Archival Print

Print: “Return” Western Maidenhair

(Adiatum aletieum)

7.5x16, Archival Print

“Ditto” Tortoise beetles & Slipp

12x8, Archival Print 

Both of these species, Slippery Elm Samaras (Ulmus rubra) & Tortoise Beetles (Charidotella sp. & Cassida rubiginosa), are from different bioregions and entirely separate evolutionary branches. Amazingly, they have formed similar shield-like protections, one developed primarily for avoiding predators and the other as a means for disbursement and regeneration. 

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